About ATACAMA:
"The fiction intermingles beautifully with the historical aspect of the novel, flowing so excellently together that I was left wondering what was real and what was not. While the historical events in the novel happened over 100 years ago, the depictions of tyranny, resilience, and crusading for the rights of the underrepresented still ring true today."
Tamanna T. - The Peak
"A story is like a house waiting to be inhabited. When readers enter and furnish it with their own possessions, the house comes to life. Thus, the story will acquire as many lives as there are readers – each reader infusing it with his or her unique experiences, feelings, world view...
A book club creates a space where readers can present
"A story is like a house waiting to be inhabited. When readers enter and furnish it with their own possessions, the house comes to life. Thus, the story will acquire as many lives as there are readers – each reader infusing it with his or her unique experiences, feelings, world view...
A book club creates a space where readers can present their furnished houses – their particular "reading" of the story – to the other participants, compare and discuss their perceptions and insights, and make meaning together."
Carmen Rodríguez
They're deeply human and you'll see glimpses of yourself and people you know in the way they feel, think and act. They'll make you laugh, cry, sigh and smile. And, they'll make you want to keep turning the page.
They live in constant dialogue with very concrete socio-historical circumstances. This means that as you immerse yourself in their lives, you will also be learning about what's happening around them.
Who wouldn't relate to stories about resilience, survival, exile, trauma, social justice, and individual and collective memory, not to mention family and love?
She straddles her Chilean roots and upbringing and her fifty years of adult life in Canada with ease and sensibility. This dual view of the world translates into a unique brand of writing; writing that is informed by two languages and two literary traditions; writing that brings to life the actual and cultural terrain of dual geographie
Upon request, Carmen Rodríguez will be happy to provide discussion materials for Book Clubs. Also, if you would like her to attend the meeting(s) in which your group is discussing her work, she will make every possible effort to join you via Zoom.
"Atacama is historical fiction at its best, taking us into the hearts and minds of those seeking change in tumultuous times."
Judy Rebick.
"Carmen Rodríguez's illuminating historical novel is an homage to human resilience and to everyday people's ability to stand up to terror and oppression. Poignant, layered and absorbing..." Ava Homa.
"This is an extraordinary book... Atacama is much more than a sweeping historical novel, as it also delves deep into the psyche of its protagonists... The crackling dramatic tension, the twists and turns in [the protagonists'] lives, all the way to the conclusion of the story in present time Vancouver, Canada, are masterfully crafted. I cannot speak too highly of this work."
John Kirk.
"From the mining camps of northern Chile to a dance studio in Valparaíso, and on to Barcelona during the Spanish Civil War and Pablo Neruda's office in a Parisian consulate... Carmen Rodríguez's new novel, Atacama, is wide-ranging and ambitious. At is centre are the inter-twined stories of an unlikely pairing: Manuel Garay, son of a poor family of activists and union organizers; and Lucía Céspedes, daughter of the military officer responsible for Manuel's father's death (and many others). The novel's narrative switches deftly between these two characters' stories, as it takes us from the 1920's to the 1940's, a period of heroic struggle but also brutal repression in Latin America and the world. Just when all seems lost, a glimmer of hope takes to a surprising twist set in the present day. Rodríguez's narrative is ultimately a story about the power of writing, the power of art, both to dramatize grief and to encourage remembrance. As drama and as remembrance, this novel succeeds admirably."
Jon Beasley-Murray.
You can also order it through your local bookstore.
"...her storytelling skill is as remarkable as the unique political-personal synthesis of And a body to remember with."
Cynthia Flood.
"These stories of displacement, struggle, family and community are tinted with gentle humour and tremendous affection for the figures which populate them. They provide new contours to the map of the Chile-Canada border."
Guillermo Verdecchia.
"These stories glisten like fragments of glass in the sun; the echoes of two cultures, a continent apart, resonating through the shattered lives of exiles and immigrants. The past and the present intertwined in tragedy give birth to laughter and beauty."
Susan Crean.
"This is a tapestry of memory, like those beautiful and pain-laden tapestries that Violeta Parra enjoyed weaving."
Eduardo Galeano.
"An emotionally complex, riveting tale of three generations of Chilean women. Although they are torn apart, like their homeland, by politics and violence, they are ultimately, and more inextricably, bound by their love."
Cristina García.
"Retribution is a complex and deeply moving work. It is a saga of love, courage, determination and acceptance..."
Hugh Hazelton.
"Retribution is a love-laden novel that cuts through the pain of a country; an intimate voice with the ability to make words visible and credible; a sensitive and skilful narrator who knows how to tell a Chilean story and turn it into one which will also captivate international readers."
Antonio Skármeta.
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